Musical Composer Research Essay Example | Topics and Well Written Essays - 1500 words

Musical Composer Research - try ExampleThis type of opera is called oratorio and tells biblical tales. Other great composers of that time include Handel (Messiah) and Mendelssohn (Elijah).It is believed that Alessandro Scarlatti was innate(p) in Palermo, Italy on May 2nd of 1660. He arrived in capital of Italy when he was twelve age old and studied with Giacomo Carissimi (another great composer of oratorios and secular cantatas). Like other young artisans of his time he was nigh probably sent to Rome to learn, and work, for the Catholic Church. Musicians at that time were considered in the same social relegate as tailors and carpenters.Scarlattis first opera written was called Gli Equivoci nel Sembiante and was performed at the palace home of Queen Christina of Sweden (Catholic Encyclopedia, 1913). He was utilise to the Viceroy as Maestro di Capella for eighteen years and then moved to Rome to be employed as assistant maesto (and then maestro) of S. Maria Maggiore (Catholic Ency clopedia, 1913). From there he moved to Naples, spent a short time again in Rome, and returned to Naples where he died.Scarlatti is credited with establishing Naples, Italy as the center of operatic operation (Concise Dictionary of Opera). Scarlatti was educated and held postings in Rome but always returned to Naples as his chosen home. ... Scarlattis brother, Francesco, was a violinist and composer who penned the oratorio called Agnus Occisus ab Origine Mundi. His other brother, Tomasso, sang in Naples. Alessandro had two sisters, Anna Maria (1661-1703) and Melchiorra Brigida (1663-1736), who were both singers that worked in Rome and Naples. It is believed that Giuseppe Scarlatti was Alessandros grandson. Giuseppe was also a composer who wrote several operas (Catholic Encyclopedia). Musical StyleScarlatti is considered the founder of what is called the Neapolitanstyle of composing. His works transitioned operatic composing from churrigueresque to pre-classical Neapolitan style. He is considered by many a Baroque composer. Scarlatti is noted for his thematic development and chromatic harmony which he used with great mastery and in a way anticipates the work of untold later composers, among them W.A. Mozart and Franz Schubert (Dent, p2). Scarlatti is considered the liberator of dramatic expression in opera. Although limited by the Popes legislation that outlawed secular operas Scarlatti embraced the limitations and created remarkable oratorios and masses. Many of Scarlattis works have survived the ages and are performed to this day (Cecelia Bartolis performance).Scarlatti made good use of the orchestra and performer for operatic expression. Scarlatti is credited with establishing the form of Italian operatic overture with three sections allegro-adagio-allegro. Many consider this as the herald of classical symphony (Dent, p2). He changed how the operatic orchestra contributes to the opera by composing orchestral accompaniment to operatic voice. Instruments were given parts to accompany the opera singers and the orchestra was considered very much a part of the